/* 新增鍵盤左右鍵切換作品的功能 */
document.addEventListener('DOMContentLoaded', function() {
  // 取得按鈕元素
  const prevButton = document.querySelector('.prev-post');
  const nextButton = document.querySelector('.next-post');

  // 監聽鍵盤事件
  document.addEventListener('keydown', function(event) {
    // 判斷按下的按鍵
    if (event.key === 'ArrowLeft' && prevButton) { // 檢查 prevButton 是否存在
      if (prevButton.href) { // 檢查 prevButton 是否具有 href 屬性
        // 觸發上一篇連結
        window.location.href = prevButton.href;
      }
    } else if (event.key === 'ArrowRight' && nextButton) { // 檢查 nextButton 是否存在
      if (nextButton.href) { // 檢查 nextButton 是否具有 href 屬性
        // 觸發下一篇連結
        window.location.href = nextButton.href;
      }
    }
  });
});
jQuery(document).ready(function($) {
    var header = $('.singlework-header');
    var headerHeight = header.outerHeight();
    var isHeaderVisible = false;
    var scrollThreshold = 10; //定滾動多少 px 才會觸發
    var lastScrollTop = 0;
    var headerContainer = $('.singlework-page');
    var scrollTimeout = null; //向上滾動時，延遲多久才會顯示

    $(window).on('load', function() {
        header.css('top', -headerHeight + 'px');
    });

    $(document).mousemove(function(event) {
        if (event.pageY < 50 && !isHeaderVisible) {
            showHeader();
        }
    });

    headerContainer.scroll(function() {
        var scrollTop = $(this).scrollTop();
        var delta = scrollTop - lastScrollTop; // 計算滾動方向

        if (!isHeaderVisible) {
            // 向上滾動超過閾值時，延遲顯示 header
            if (delta < 0 && Math.abs(delta) > scrollThreshold) {
                if (scrollTimeout) {
                    clearTimeout(scrollTimeout);
                }
                scrollTimeout = setTimeout(function() {
                    showHeader();
                }, 150);
            }
        } else {
            // **只有向下滾動時才關閉 header**
            if (delta > 0 && Math.abs(delta) > scrollThreshold) {
                hideHeader();
            }
        }

        lastScrollTop = scrollTop;
    });

    $(document).click(function(event) {
        if (!$(event.target).closest('.singlework-header').length && isHeaderVisible) {
            hideHeader();
        }
    });

    function showHeader() {
        header.addClass('show');
        isHeaderVisible = true;
    }

    function hideHeader() {
        header.removeClass('show');
        isHeaderVisible = false;
    }
});
What I’m gonna do to make You See?
true
document.addEventListener("DOMContentLoaded", function() {
    // 獲取 meta field 的隱藏元素
    let metaFieldElement = document.querySelector(".singlework-pure-en-title-switcher");
    
    // 獲取 .singlework-title 標題
    let postTitle = document.querySelector(".singlework-title");

    // 確保 metaFieldElement 和 postTitle 存在
    if (metaFieldElement && postTitle) {
        // 讀取 meta field 的值並去除前後空格
        let metaValue = metaFieldElement.innerText.trim().toLowerCase();

        // 如果 meta field 值是 "true"，則將字距設為 0
        if (metaValue === "true") {
            postTitle.style.letterSpacing = "0";
        }
    }
});
2012
Cement, wood, resin
128.5 x 185cm
This work takes on a minimal form: square modules arranged in precise rows, like windows, or gazes, slowly gathering into a singular shape through gradients of gray and black. It resembles an eye, a city seen from above, or a fragment of an architectural façade—an empty shell, endlessly rewritten yet never inhabited. Cement, a material often associated with permanence, silence, or monumentality, here feels porous, leached through by time. Each frame is slightly different, as if it once held a view, yet left no trace behind. Together, the hundred-plus modules form not a pair of eyes, nor a wall, but something more intimate: a structure that is at once architectural and psychological—a façade of the mind, a landscape we have not yet learned how to see.



Their arrangement creates a kind of rhythm, as if trying to excavate language from the rubble of architecture. Black pigment seeps from the base of the structure, like a rupture in communication—dripping across the surface, sinking into the floor, slowly absorbed by time. This is not a work about expressing emotion, nor a metaphor for narrative; it feels more like the residue of a relation—the moment when you look toward the world, unsure if the world is looking back.



The phrase “What I'm Gonna Do to Make You See?” feels like a whisper etched into a wall. It isn’t really a question, but a prolonging of time that has not yet been heard. It is the afterimage of an act of looking—or perhaps a gaze yet to arrive. Looking is not an event here, but a suspension: a plea sealed in concrete, caught in a position that cannot move forward, nor return.



This work marked the artist’s final project as a student, and also a rupture in his early career. It offers no map to the future, but it delineates a clear desire: to look, to be seen, to find the conditions for seeing. The artist sealed that ambiguous longing into concrete, allowing each module to become a small but persistent attempt. From that point on, “looking” would become a recurring and inescapable theme—both his subject and his point of return.
2026 CopyRight ©