/* 新增鍵盤左右鍵切換作品的功能 */
document.addEventListener('DOMContentLoaded', function() {
  // 取得按鈕元素
  const prevButton = document.querySelector('.prev-post');
  const nextButton = document.querySelector('.next-post');

  // 監聽鍵盤事件
  document.addEventListener('keydown', function(event) {
    // 判斷按下的按鍵
    if (event.key === 'ArrowLeft' && prevButton) { // 檢查 prevButton 是否存在
      if (prevButton.href) { // 檢查 prevButton 是否具有 href 屬性
        // 觸發上一篇連結
        window.location.href = prevButton.href;
      }
    } else if (event.key === 'ArrowRight' && nextButton) { // 檢查 nextButton 是否存在
      if (nextButton.href) { // 檢查 nextButton 是否具有 href 屬性
        // 觸發下一篇連結
        window.location.href = nextButton.href;
      }
    }
  });
});
jQuery(document).ready(function($) {
    var header = $('.singlework-header');
    var headerHeight = header.outerHeight();
    var isHeaderVisible = false;
    var scrollThreshold = 10; //定滾動多少 px 才會觸發
    var lastScrollTop = 0;
    var headerContainer = $('.singlework-page');
    var scrollTimeout = null; //向上滾動時，延遲多久才會顯示

    $(window).on('load', function() {
        header.css('top', -headerHeight + 'px');
    });

    $(document).mousemove(function(event) {
        if (event.pageY < 50 && !isHeaderVisible) {
            showHeader();
        }
    });

    headerContainer.scroll(function() {
        var scrollTop = $(this).scrollTop();
        var delta = scrollTop - lastScrollTop; // 計算滾動方向

        if (!isHeaderVisible) {
            // 向上滾動超過閾值時，延遲顯示 header
            if (delta < 0 && Math.abs(delta) > scrollThreshold) {
                if (scrollTimeout) {
                    clearTimeout(scrollTimeout);
                }
                scrollTimeout = setTimeout(function() {
                    showHeader();
                }, 150);
            }
        } else {
            // **只有向下滾動時才關閉 header**
            if (delta > 0 && Math.abs(delta) > scrollThreshold) {
                hideHeader();
            }
        }

        lastScrollTop = scrollTop;
    });

    $(document).click(function(event) {
        if (!$(event.target).closest('.singlework-header').length && isHeaderVisible) {
            hideHeader();
        }
    });

    function showHeader() {
        header.addClass('show');
        isHeaderVisible = true;
    }

    function hideHeader() {
        header.removeClass('show');
        isHeaderVisible = false;
    }
});
That would be Funny, If it weren’t so sad.
true
document.addEventListener("DOMContentLoaded", function() {
    // 獲取 meta field 的隱藏元素
    let metaFieldElement = document.querySelector(".singlework-pure-en-title-switcher");
    
    // 獲取 .singlework-title 標題
    let postTitle = document.querySelector(".singlework-title");

    // 確保 metaFieldElement 和 postTitle 存在
    if (metaFieldElement && postTitle) {
        // 讀取 meta field 的值並去除前後空格
        let metaValue = metaFieldElement.innerText.trim().toLowerCase();

        // 如果 meta field 值是 "true"，則將字距設為 0
        if (metaValue === "true") {
            postTitle.style.letterSpacing = "0";
        }
    }
});
2014
Light, 3D glasses, aluminum frame
30 x 40cm
Following the works Never Alone, Indestructible Object, and Gaze Above The Cloud—each dissecting and reassembling the relationship between vision, language, and political reality—That would be Funny, If it weren’t so sad. functions as a meta-gaze. It returns to the symbolic core of these works by turning attention not to the image, but to the very medium of vision itself: the 3D glasses.



Minimal in form, the piece features a pair of red–blue 3D glasses suspended at the center of the frame. Illuminated by a light source, they cast a soft, trembling shadow on the wall—a visual “afterimage.” On each lens is inscribed a sentence: “That would be funny” and “If it weren’t so sad.” The phrase teeters between dry humor and restrained critique, a knot of language that offers neither the relief of satire nor the clarity of catharsis. It lingers instead in an awkward stasis—true, yet unbearable.



If 3D technology exists to make the brain “believe” it perceives real depth, then this work reveals the absurd reality behind that illusion: what do we trade in exchange for an honest act of seeing? Our sensory autonomy? The sovereignty of the viewer? The sincerity of emotional response? Here, the 3D glasses cease to be a tool for watching; they become a metaphor to be watched—an emblem of the tension between seeing and being seen, between technology and truth, between detachment and empathy.



If the previous three works probe the fissures between vision and ideology, then That would be Funny, If it weren’t so sad. gently extracts itself from that discourse, leaving the viewer to confront an unnameable psychological displacement. It is no longer about the event or the message, but about the exposed condition of the viewer. When vision becomes weightless, does the one who sees also become insignificant?



This is not a politically overt work, yet it is the quietest and coldest of the 3D series. It contains no narrative and resists the violence of imagery. Instead, it uses a suspended composition to reflect—gently but unflinchingly—the accumulated visual fatigue, ethical exhaustion, and emotional distortion built up across the series. And that is precisely its sharpest edge: a crisis of perception rendered without spectacle, without amplification.
2026 CopyRight ©