/* 新增鍵盤左右鍵切換作品的功能 */
document.addEventListener('DOMContentLoaded', function() {
  // 取得按鈕元素
  const prevButton = document.querySelector('.prev-post');
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  // 監聽鍵盤事件
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    // 判斷按下的按鍵
    if (event.key === 'ArrowLeft' && prevButton) { // 檢查 prevButton 是否存在
      if (prevButton.href) { // 檢查 prevButton 是否具有 href 屬性
        // 觸發上一篇連結
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    } else if (event.key === 'ArrowRight' && nextButton) { // 檢查 nextButton 是否存在
      if (nextButton.href) { // 檢查 nextButton 是否具有 href 屬性
        // 觸發下一篇連結
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});
jQuery(document).ready(function($) {
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    var scrollThreshold = 10; //定滾動多少 px 才會觸發
    var lastScrollTop = 0;
    var headerContainer = $('.singlework-page');
    var scrollTimeout = null; //向上滾動時，延遲多久才會顯示

    $(window).on('load', function() {
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        var delta = scrollTop - lastScrollTop; // 計算滾動方向

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            // 向上滾動超過閾值時，延遲顯示 header
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                scrollTimeout = setTimeout(function() {
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        lastScrollTop = scrollTop;
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    function showHeader() {
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    function hideHeader() {
        header.removeClass('show');
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});
Never Alone
false
document.addEventListener("DOMContentLoaded", function() {
    // 獲取 meta field 的隱藏元素
    let metaFieldElement = document.querySelector(".singlework-pure-en-title-switcher");
    
    // 獲取 .singlework-title 標題
    let postTitle = document.querySelector(".singlework-title");

    // 確保 metaFieldElement 和 postTitle 存在
    if (metaFieldElement && postTitle) {
        // 讀取 meta field 的值並去除前後空格
        let metaValue = metaFieldElement.innerText.trim().toLowerCase();

        // 如果 meta field 值是 "true"，則將字距設為 0
        if (metaValue === "true") {
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});
2012-2014
Glass, metal, digital print, coloured film
Standing before Never Alone, one does not merely confront a space, but encounters a rift. The work slices the visual field in red and blue, splitting a double-sided banknote in two: Mao Zedong and Chiang Kai-shek each locked into their own axis of visibility, parallel yet irreconcilable. The viewer can never see both at once; perception is always forced to choose. It is not a political choice per se, but a reflection of the limitations inherent to positionality itself. Through this subtle visual violence, the artist translates ideology into spectral overlays and optical ghosts.



This work does not aim to stage a political debate, nor is it driven by historical judgment. Rather, it transforms heavy-handed political signifiers into delicate illusions. It is a poetic disturbance, a deliberate misapplication of technique that opens a perceptual fissure. Here, the grand narrative of “nation” is refracted through light and color—dissolved, suspended, flickering between red and blue.



The title Never Alone does not speak to the comfort of companionship, but rather to the inescapable condition of being caught within a mediated structure of vision—one shaped and interrupted by ideology. It reflects the blurred and contested identities of many on this island, who remain suspended between two poles, unable to focus clearly. This is not an aestheticized argument about unification or division, but an invitation to confront one's present condition and draw insight from history.



The artist does not offer a position, but constructs a delay. He makes seeing difficult, renders familiar symbols unstable, and shifts politics from the field of power into the field of perception. The viewer is denied clarity, denied narrative cohesion—left instead in a space of overlapping filters and optical displacement. That very delay, that thwarted act of seeing, is the work itself.
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