In the closed exhibition hall, the sound of the piano solo is playing, like skipping needles, and the same melody is continuously played back. Displays of varying angles and heights are placed on the four walls, enveloping the viewer. In the gray and white picture in the video, people are performing sleepwalking-like unconscious actions: the actions seem to be somewhat related, but somewhat alienated, and the complete meaning cannot always be spelled out.

In the center of the exhibition hall, the tilted and twisted pot platform carries a white city model. The projector spreads the image on it, like reincarnation, the city is constantly submerged, covered and drained by black liquid. Through this sacrificial scene, I try to reproduce the creator’s personal mysterious experience, and explore the fluidity of a-time perception in consciousness by returning to the memory fragments of life in the lake.