發光體

Luminary

2010

行為表演、錄像、金屬 

Behavior performance, video, metal 

發光體

Luminary

2010

行為表演、錄像、金屬 

Behavior performance, video, metal 

《發光體》所探討的是,數位時代的溝通工具如何介入我們的身體?網路視訊分割,錯位、掉格的影像質地,將表演者化約為純粹的載體,藏匿在顯示器後,在表演者與觀眾間,創造了一個既狎暱卻又疏遠的互動場景。主角獨白的過程,不同角色的畫面錯列其中,使這個一人分飾多角的情景,猶如自體人格分裂般,愈趨紊亂。

現實中與人視訊的過程裡,由於顯示器與鏡頭之間的角度差,使得彼此雖互相凝視著對方,但在影像中雙方卻都是無法直視鏡頭的。即便再努力,雙方依舊無法達到真正的視線交會。影像中刻意放大了這微小的落差,在拍攝時,讓演員們的視線偏移鏡頭。

主角不斷呢喃著:「你看的到我嗎?我看不到你,你在哪裡?」,卻總是徒勞。藉此暗示著當代人的身體處境:在這個宛如夢境般的數位網絡之下,每個人,透過科技,都變成究極的發光體。無自主意識地,發光。 

“Luminous” explores how the communication tools of the digital age intervene in our bodies? The segmentation of online video, the dislocated and out-of-frame image texture, reduces the performer to a pure carrier, and hides it behind the display, creating an interactive scene that is both intimate and alienating between the performer and the audience. In the process of the protagonist’s monologue, the pictures of different characters are staggered, making this scene of one person playing multiple roles, like a split personality, more and more disordered.

In the process of video chatting with people in reality, due to the angle difference between the monitor and the lens, although they stare at each other, in the image, both parties cannot look directly at the lens. No matter how hard they tried, the two sides still couldn’t achieve a real eye-to-eye meeting. This tiny drop is deliberately magnified in the image, so that the actors’ eyes deviate from the camera when shooting.

The protagonist kept mumbling: “Can you see me? I can’t see you, where are you?”, but it was always in vain. In this way, it hints at the physical situation of contemporary people: under this digital network like a dream, everyone, through technology, has become the ultimate luminous body. Involuntarily, glowing.